NANGYAR KOOTHU

Nangyar Koothu is a variety of the Koothu performed by the Nangiars or the female individuals from the Chakkiar people group. This is a performance dance dramatization fundamentally focused on the legends of Sree Krishna. Srikrishna Charitham, the tale of Lord Krishna is the story regularly introduced in Nangyarkoothu (Nangyar Koothu). It requires 12 days to introduce the whole story. Mizhavu, a percussion instrument is utilized for the foundation score. There is no discourse and the story is introduced by means of hand motions. This also was introduced distinctly in Koothambalams or sanctuary theaters inside sanctuary premises in the prior days.

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Krishnaattom / Krishnanaattom

Krishnaattom or Krishnanaattom is a general media show that authorizes just the narrative of Sree Krishna. It is for the most part acted in sanctuaries wherein the directing god is Sree Krishna. It's anything but's a contribution to the ruler by the enthusiasts. In this way essentially at the level of the mind, Krishnaattom is a custom. By legends and history this is an early antecedent of Kathakali. No story would thus be able to be sanctioned utilizing Krishnaattom as an auditorium style. Maanaveda, an extraordinary aficionado of Krishna and a notable leader of the Zamaorin's tradition of North Kerala, has been recorded as the principal known authority and supporter of Krishnaattom. The foundations of Krishnaattom could consequently be followed to the mid-seventeenth century. To an undeveloped eye Krishnaattom has close likenesses with Kathakali, particularly in ensembles and facial cosmetics. Be that as it may, there are a few significant characters which utilize wooden facial veils. This training is almost missing in Kathakali. In the strategy of acting the pressure is on all out body sensation approach, and not the nitty gritty explanation with the assistance of hand-signals and looks. Two entertainers render Sanskrit expressive substance in a style common among the vocalists of the sanctuary based ceremonies and customs. A few researchers allude to it as the 'sopaana style'. A percussion instruments called Edakka and madhalam, the metallic cymbals called Chengila and Elathaalam, offer the necessary musical help. Guruvayur Sree Krishna sanctuary is one spot where every day shows are as yet proceeding, aside from few months during the storm and later. The show starts around 10 pm and finishes by 2 am. The enthusiasts present every day in the sanctuary premises go to the reverential show and leave with a feeling of grave happiness.

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Pulikali / Kaduvakali

Pulikali is a bright sporting people craftsmanship from the province of Kerala. It is performed via prepared craftsmen to engage individuals on the event of Onam. Pulikali, otherwise called Kaduvaakali, is a 200 year old workmanship, painstakingly saved by the specialists of the state. Strict significance of Pulikali is the 'play of the tigers' 

Consequently the presentation rotate around the subject of tiger chasing. The society craftsmanship is primarily polished in Thrissur (Trichur) and Palghat areas of Kerala. Best spot to watch the show is Swaraj Ground at Thrissur on the fourth day of Onam, where Pulikali companies from everywhere the region collect to show their abilities.

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Thiruvathirakali

Thiruvathirakali is a dance performed by ladies, to achieve never-ending conjugal happiness, on Thiruvathira day in the Malayalam month of Dhanu (December-January). The dance is a festival of conjugal constancy and the female energy, for this is the thing that presented to Kamadeva (the divine force of adoration) back to life after he was burnt up by the fury of Lord Siva. The twisted developments executed by a gathering of artists around a nilavilakku, exemplify 'lasya' or the passionate appeal and elegance of the ladylike. The dance follows a round, pirouetting design joined by applauding of the hands and singing. Today, Thiruvathirakali has become a famous dance structure for all seasons.

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Koodiyattom

Koodi = consolidated. Aattom = play, execution and so forth Koodiyattom is the most antiquated Sanskrit theater of Kerala, which has as of late been perceived by the UNESCO, as the most unmistakable auditorium structure that keeps up with and proliferates the verbal modes in performance center styles. Students of history have followed its vestige to pre-AD days. The Chakkyar people group has been rehearsing for quite a long time, this dramatic craftsmanship as an innate family calling. The Nangiars (ladies) alone handle the female characters. They are from the focal just as the southern districts of Kerala. Koodiyattom is customarily performed inside the exceptionally assembled fabricating called 'koothambalam', inside the regions of specific sanctuaries. There is a particular region, characterized for the exhibition. The crowd require certain measure of insightful readiness to completely appreciate the content and the subtleties, as there is significant weight on the utilization of Sanskrit language, in techniques determined by the ideas stringently clung to in Sanskrit theater. The plays are so intricate and long, that scarcely one sees the entire play being organized. Just a demonstration is frequently introduced, which itself will require a few days to be finished. The preliminary systems and stage business are profoundly many-sided and exact, that one necessities to go through long periods of preparing starting at a youthful age of eight or ten. In any event, during the presentation, it's difficult the content that is sanctioned. A few unessential issue are gotten for explanation and instructive allure. There is, notwithstanding, a male control in the plays and execution. In 2002, Natanakairali in relationship with the Ammannur Chachu Chakyar Smaraka, Gurukulam, Irinjalakkuda, arranged Sakuntalam, which has prime significance to Sakuntala, a female person.

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Album

Arts of Kerala : I’d like to see people each do a small, good thing, that overall makes a big difference. So I’ve been pondering that for a while. And I came up with something… Making a tape of stories or memories, sharing your experience with family members and friends, is a wonderful gift to you and your family. By making a tape, a special photo album, or a scrapbook for those you will leave behind, you can help create memories of times you shared. Some people, especially parents, write letters to the children who will survive them.