# Kerala mural paintings are the frescos portraying Hindu folklore in Kerala. Antiquated sanctuaries and castles in Kerala, India, show a proliferating custom of mural paintings generally going back between the ninth to twelfth hundreds of years CE when this type of workmanship delighted in illustrious support.
The murals of Thirunadhikkara Cavern Sanctuary (presently surrendered to Tamil Nadu) and Tiruvanchikulam are viewed as the most established relics of Kerala's own style of murals. The show-stoppers of Kerala mural workmanship include: the Shiva Sanctuary in Ettumanoor, the Ramayana murals of Mattancherry Royal residence and Vadakkumnatha kshetram. Other fine mural paintings are portrayed in sanctuaries at Trikodithanam, Vaikom Sanctuary, Pundarikapuram, Udayanapuram, Triprangode, Guruvayoor, Kumaranalloor, Aymanam, the Vadakkunathan sanctuary in Trichur, the Thodeekkalam sanctuary in Kannur and the Sri Padmanabhaswamy sanctuary at Thiruvananthapuram. Other mural locales are in the holy places at Ollur, Chalakkudy, Kanjoor, Edappally, Vechur, and Mulanthuruthy,[3] and at royal residences like the Krishnapuram Castle close to Kayamkulam and the Padmanabhapuram Royal residence.
The mural paintings of Kerala stays the most famous image of the district's way of life and imaginative practices. The most seasoned of India's 'drawing' custom could be the Jataka Stories scratched on the dividers of the Ajanta caves. From that point, the Buddhist priests took it to different parts of the world, wherein the artistic expression advanced through a combination of societies. In Kerala, the mural craftsmanship customs are followed to the eighth century Advertisement. The first of the mural paintings in Kerala is supposed to be the ones at the Tirunandikara cave sanctuary. The mural paintings of Kerala are generally from the fourteenth Century Advertisement. There are more than 150 sanctuaries in Kerala which have antiquated mural works of art
Fine arts like Kathakali, Tholpavakoothu, Theyyam, and Koodiyattom profoundly affected the mural craftsman. The Kathakali mudras are similar to the stances struck by figures in mural paintings. The male upper r article of clothing in murals called 'kavacham' is like the male outfit in Kathakali.
Raja Ravi Varm's Art Works
instrumental in taking mural painting, till then an elitist craftsmanship, to the majority. Raja Ravi Varma likewise hung his characters in a garment called 'Saree' just found in Maharashtra. The craftsman even dressed his divine beings in Saree, in his paintings. In 1970s, numerous mural paintings in Guruvayur sanctuary were gutted in a fire. After this, on publis request, a Mural preparing school was begun there under the tutelage of Mammiyoor Krishnankutty Nair. The foundation of the school prompted the world find out about the mural practices of Kerala
