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  • Thursday, August 14, 2025

    Exploring Kalaripayattu: The Holistic Martial Art That Blends Combat with Spirituality

     Kalaripayattu stands as one of the world’s oldest martial arts. It began in Kerala, a southern state in India. This ancient art is more than just a system for fighting. It carries deep historical roots and a unique heritage.

    This practice is truly holistic. It brings together physical power, sharp mental focus, and deep spiritual growth. You will discover the intricate nature of this traditional form. It challenges and develops you in many ways.

    This article will take you on a journey. We will look into its rich history, practical techniques, guiding philosophy, and its place in today's world. Prepare to uncover the full scope of Kalaripayattu.

    The Ancient Roots and Evolution of Kalaripayattu

    Origins in Ancient India

    Kalaripayattu’s beginnings trace back to ancient Indian traditions. Some theories link it to early forms of military training. It likely served the defense needs of ancient kingdoms in Kerala. The word "Kala" means art, and "Payattu" means practice or exercise. This name itself points to its dual nature.

    The Influence of Ayurveda and Yoga

    Kalaripayattu shares a strong bond with Ayurveda, the traditional Indian medicine system. Ayurvedic principles guide its training methods. They also inform proper diet and how to recover from injuries. This connection ensures overall well-being.

    You will find parallels with yoga practices, too. Breathwork, called pranayama, is key in both. Meditation also plays a vital role. These elements help practitioners control their bodies and minds.

    Preservation Through Centuries

    Kalaripayattu faced tough times, especially during periods of foreign rule. Yet, it managed to survive and thrive. Traditional schools, known as Gurukuls, played a crucial part. Dedicated lineage holders passed down the knowledge from generation to generation. Their commitment kept this art alive.

    The Physical Prowess: Techniques and Training

    The Four Stages of Training (Meippayattu)

    Kalaripayattu training begins with Meippayattu, the body conditioning stage. This part focuses on building a strong foundation. Students work on flexibility, making their bodies pliable and agile. They also develop incredible strength and balance. This rigorous training helps practitioners master complex movements.

    Weaponry and Unarmed Combat (Ottappayattu)

    Kalaripayattu uses a wide array of traditional weapons. These include the flexible Urumi sword and the short Cheruvadi stick. The long Oodathadi stick and the Kadhira dagger are also part of the training. Practitioners also master unarmed combat techniques. They learn to move smoothly between armed and empty-hand fighting styles.

    Marma Chikitsa: The Art of Vital Points

    A core concept in Kalaripayattu is Marma Chikitsa. Marma points are vital energy spots in the human body. Practitioners learn to either target these points for attack or protect them. This knowledge is deeply connected to Ayurvedic healing. Understanding Marma points is essential for both combat and recovery.

    The Spiritual and Mental Dimensions

    Discipline and Mindfulness

    Kalaripayattu training demands great mental toughness. The rigorous practice builds strong discipline. It also teaches patience and clear thinking. Each movement requires sharp focus. This intense concentration leads to improved mindfulness in daily life.

    Philosophy and Ethical Code

    A deep philosophy supports Kalaripayattu. It teaches profound respect for the Guru, or teacher. Self-control is also a core principle. Practitioners learn to use their strength for protection, not for aggression. This ethical framework guides every aspect of their journey.

    Meditation and Breath Control

    Meditation practices are woven into Kalaripayattu training. Pranayama, or breath control, helps center the mind. These elements improve concentration and energy flow. They also help in achieving emotional balance. This spiritual training goes hand-in-hand with physical practice.

    Modern Relevance and Global Reach

    Kalaripayattu in the 21st Century

    Kalaripayattu continues to gain popularity today. It is practiced and taught around the world. While staying true to its roots, it has adapted slightly for modern students. This ancient art has even influenced some modern martial arts. You can often see its powerful movements in films and stage performances.

    Benefits Beyond Combat

    The advantages of Kalaripayattu stretch far beyond just fighting skills. Practitioners often report better stress management. Their self-confidence grows. They also see improvements in posture and overall body control. It offers a path to greater well-being for anyone who trains.

    Finding a Qualified Guru

    If you want to learn Kalaripayattu, finding the right teacher is key. Seek out a reputable school that upholds traditional methods. A qualified Guru will guide you through this complex art. They ensure you learn correctly and safely. Look for instructors with a long lineage and strong community ties.

    Expert Insights and Testimonials

    Master's Perspective on Training

    A seasoned Kalaripayattu master often shares this wisdom: "True mastery comes from dedication. It is not just about physical strength. It is about understanding your body and mind. We teach students to use their power wisely." This highlights the art's deeper purpose beyond mere combat. The rigorous training shapes character and builds inner peace.

    Practitioner's Journey

    A Kalaripayattu student once shared their experience: "This art changed my life. I found incredible self-discipline and focus. It taught me patience and how to respect my body. The transformation was truly profound." This sentiment reflects the holistic benefits felt by many who commit to the path.

    Conclusion

    Kalaripayattu stands as a truly comprehensive martial art. It expertly blends intense physical training with deep mental and spiritual growth. This ancient Indian practice offers a unique path to mastery.

    Its enduring legacy shines brightly in today’s world. Kalaripayattu remains a powerful and relevant holistic practice for modern life. It helps you find inner balance and outer strength. Consider exploring this time-honored art form. It offers a remarkable journey towards self-mastery and profound well-being.       

                    

    Tuesday, July 20, 2021

    Kerala Mural Painting

    # Kerala mural paintings are the frescos portraying Hindu folklore in Kerala. Antiquated sanctuaries and castles in Kerala, India, show a proliferating custom of mural paintings generally going back between the ninth to twelfth hundreds of years CE when this type of workmanship delighted in illustrious support. 

    Kerala Mural Painting

    The murals of Thirunadhikkara Cavern Sanctuary (presently surrendered to Tamil Nadu) and Tiruvanchikulam are viewed as the most established relics of Kerala's own style of murals. The show-stoppers of Kerala mural workmanship include: the Shiva Sanctuary in Ettumanoor, the Ramayana murals of Mattancherry Royal residence and Vadakkumnatha kshetram. Other fine mural paintings are portrayed in sanctuaries at Trikodithanam, Vaikom Sanctuary, Pundarikapuram, Udayanapuram, Triprangode, Guruvayoor, Kumaranalloor, Aymanam, the Vadakkunathan sanctuary in Trichur, the Thodeekkalam sanctuary in Kannur and the Sri Padmanabhaswamy sanctuary at Thiruvananthapuram. Other mural locales are in the holy places at Ollur, Chalakkudy, Kanjoor, Edappally, Vechur, and Mulanthuruthy,[3] and at royal residences like the Krishnapuram Castle close to Kayamkulam and the Padmanabhapuram Royal residence. 

    The mural paintings of Kerala stays the most famous image of the district's way of life and imaginative practices. The most seasoned of India's 'drawing' custom could be the Jataka Stories scratched on the dividers of the Ajanta caves. From that point, the Buddhist priests took it to different parts of the world, wherein the artistic expression advanced through a combination of societies. In Kerala, the mural craftsmanship customs are followed to the eighth century Advertisement. The first of the mural paintings in Kerala is supposed to be the ones at the Tirunandikara cave sanctuary. The mural paintings of Kerala are generally from the fourteenth Century Advertisement. There are more than 150 sanctuaries in Kerala which have antiquated mural works of art 


    Fine arts like Kathakali, Tholpavakoothu, Theyyam, and Koodiyattom profoundly affected the mural craftsman. The Kathakali mudras are similar to the stances struck by figures in mural paintings. The male upper r article of clothing in murals called 'kavacham' is like the male outfit in Kathakali. 

    Raja Ravi Varm's Art Works

    Raja Ravi Varma consolidated the Eastern and Western styles with adroitness. He was likewise
    instrumental in taking mural painting, till then an elitist craftsmanship, to the majority. Raja Ravi Varma likewise hung his characters in a garment called 'Saree' just found in Maharashtra. The craftsman even dressed his divine beings in Saree, in his paintings. In 1970s, numerous mural paintings in Guruvayur sanctuary were gutted in a fire. After this, on publis request, a Mural preparing school was begun there under the tutelage of Mammiyoor Krishnankutty Nair. The foundation of the school prompted the world find out about the mural practices of Kerala




    #arts-of-kerala  #kerala-mural-painting #classical-dance-of-kerala #kerala-painting #kathakali-kerala #artforms-of-kerala #folk-arts-of-kerala #simple-kerala-mural -painting #performing-arts-of-kerala #kerala-mural-painting-on-canvas-price #kerala-mural-painting-peacock #the-classical-dance-of-kerala #kerala-mural-painting-krishna #kerala-mural-painting-for-home


    Kerala Mural Painting - Amazon



    Saturday, November 9, 2019

    Ayyappan Theeyattu

    Theeyati Nambiars go to the kalam in a dress fitting for the komaram. Wearing white material, tying red texture around his midsection, covering his body and hand with shoe stick, putting on the trim that he gets from the sanctum, and getting the sword, he moves about as komaram. It's anything but's a kind of sharp edge dance. During his dance he absolutely destroys the kalam. This is perhaps the most entrancing, enthusiastic, and marvelous scene in the Theeyattu.

    Ayyappan Theeyattu - Arts of Kerala


    #arts-of-kerala  #kerala-mural-painting #classical-dance-of-kerala #kerala-painting #kathakali-kerala #artforms-of-kerala #folk-arts-of-kerala #simple-kerala-mural -painting #performing-arts-of-kerala #kerala-mural-painting-on-canvas-price #kerala-mural-painting-peacock #the-classical-dance-of-kerala #kerala-mural-painting-krishna #kerala-mural-painting-for-home

    Kanniyarkali

    Kanniyarkali (deshathukali) is a custom craftsmanship dance from, which is performed to the backup of reverential people melodies and the reverberating thumps of drum. It is typically acted in bhagavathy sanctuaries
    .
    Kanniyarkali - Arts of Kerala



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    Kaliyoottu

    Kaliyoottu - Arts of Kerala

    Kaliyoottu is a multi day long brilliant society custom which been acts the battle between goddess durga and the evil spirit darika. The custom is acted in various stages. The peak of the play - the custom called paranettu - is performed on an extraordinarily developed 100 feet high stage on the eighth day.



    #arts-of-kerala  #kerala-mural-painting #classical-dance-of-kerala #kerala-painting #kathakali-kerala #artforms-of-kerala #folk-arts-of-kerala #simple-kerala-mural -painting #performing-arts-of-kerala #kerala-mural-painting-on-canvas-price #kerala-mural-painting-peacock #the-classical-dance-of-kerala #kerala-mural-painting-krishna #kerala-mural-painting-for-home

    Kolkali

    Kolkali is a gathering dance type of the cultivating local area in Kerala. Twelve to 24 artists move musically in a circle around the stylized light, tapping the two feet in length wooden sticks grasped.


    Kolkali - Arts of Kerala



    #arts-of-kerala  #kerala-mural-painting #classical-dance-of-kerala #kerala-painting #kathakali-kerala #artforms-of-kerala #folk-arts-of-kerala #simple-kerala-mural -painting #performing-arts-of-kerala #kerala-mural-painting-on-canvas-price #kerala-mural-painting-peacock #the-classical-dance-of-kerala #kerala-mural-painting-krishna #kerala-mural-painting-for-home #Kolkali

    Kavadiyattam

    Kavadiyattam - Arts of Kerala

    Kavadiyattam is a ceremonial dance structure performed by enthusiasts. The gathering of lovers wearing radiant yellow or saffron outfits with debris spread everywhere on the body dance in a craze conveying kavadis on their shoulders. Kavadis are brilliant bow molded wooden designs rising six to ten feet tall. The ambalakavadi is organized and designed like a sanctuary. The pookavadi has groups of brilliant, paper, material or plastic blossoms orchestrated on them. The reverberating beats of percussion instruments like udukku and chenda and the nadaswaram are normal for the kavadi parade. It is normally offered in subramanya sanctuaries.




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    Padayani

    Padayani is a formal dance mainstream in and around the locale of Pathanamthitta in Kerala, India. Acted in sanctuaries committed to Goddess Bhadrakali, the Padayani is seven days in length occasion. The entertainers wear brilliant veils and awesome headgears, called Kolams. The dance is acted in the nights at the sanctuary premises. Valiya Padayani on the seventh day denotes the stupendous finale of the occasion. A stately parade conveying themes is hung on this day. Music and drum troupes add to the appeal of the parade. Thappu, an uneven drum is the significant backup. It's anything but a round outline cut out of jack wood and covered with wild ox stow away. Chenda, Para, Kumbham, Kaimani, Thamil and Kurumkuzhal are likewise utilized on explicit events. Padayani is acted in the long stretches of Kumbham, Meenam and Medam (February, March and April), as indicated by the Malayalam schedule. The Othara Puthukulangara Devi sanctuary, Kadammanitta Devi sanctuary, Kadalimangalam Devi sanctuary, Neelamperoor Palli Bhagavathy sanctuary and Kurampala Puthenkavil Devi sanctuary are a few sanctuaries popular for Padayani exhibitions. Other than the region of Pathanamthitta this fine art is acted in a few different sanctuaries in the regions of Kottayam, Alappuzha and Kollam.

    Padayani- Arts of Kerala



    #arts-of-kerala  #kerala-mural-painting #classical-dance-of-kerala #kerala-painting #kathakali-kerala #artforms-of-kerala #folk-arts-of-kerala #simple-kerala-mural -painting #performing-arts-of-kerala #kerala-mural-painting-on-canvas-price #kerala-mural-painting-peacock #the-classical-dance-of-kerala #kerala-mural-painting-krishna #kerala-mural-painting-for-home

    Velakali

    Velakali - Arts of Kerala
    It is quite possibly the most intricate and terrific military society specialties of kerala. This custom artistic expression is generally introduced inside the sanctuary premises and is called thirumumbil vela when performed before the divinity and kulathilvela when performed close to the sanctuary lake. At least fifty entertainers in the customary clothing of warriors, bearing beautiful safeguards and swords or long sticks, hit the dance floor with war like strides in ideal arrangement with the resonating mood of the thakil, suddha maddalam, elathalam, kuzhal and trumpets. A couple of battling methods of kalaripayattu are likewise shown throughout the presentation.



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    Arts of Kerala

    The Indian state Kerala is notable for its different types of performing expressions. The different networks in Kerala add to its rich and vivid culture. Kerala is well known for its unmistakable design and craftsmanship, writers and artists, its customary dance shapes, the antiquated specialties of woodcarving and divider painting. 'The God's own nation' is honored with different works of art. Kerala is a sanctuary for the admirer of dance, show and music and celebrations. You have scores of artistic expressions, which are very one of a kind in nature to Kerala, as Kathakali, Ottamthullal, Chakyar koothu, Krishnanattam, Koodiyattam, Padayani, Kalaripayattu, Pavakathakali, Theyyam, Velakali, Thiruvathirakali, Kolkali, and so forth Kerala has birthed and sustained a plenty of artistic expressions over 1,000 years.

    Arts of Kerala
    The great artist Ravi Varma's painting



    #arts-of-kerala  #kerala-mural-painting #classical-dance-of-kerala #kerala-painting #kathakali-kerala #artforms-of-kerala #folk-arts-of-kerala #simple-kerala-mural -painting #performing-arts-of-kerala #kerala-mural-painting-on-canvas-price #kerala-mural-painting-peacock #the-classical-dance-of-kerala #kerala-mural-painting-krishna #kerala-mural-painting-for-home

    Bharata Natyam

    Bharata Natyam - Arts of Kerala

    Bharata Natyam: It is accepted to be india's most established type of traditional dance. This dance structure which is called verse moving, has its aged beginnings in the natya sastra expounded on 4000 b.c. by sage bharatha. This work of art terribly prohibits novel advancements or contrivances besides in collection and types of show. It was initially known as 'dasi attam,' a sanctuary craftsmanship performed by young ladies called 'devadasis.'



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    Chakyar Koothu

    Chakyar Koothu - Arts of Kerala
    Chakyar Koothu additionally called koothu, is one of the most established traditional theater specialties of kerala. The performance dance is normally introduced in the koothambalam of sanctuaries to the backup of the mizhavu and elathalam. The presentation begains with a conjuring to the directing god of the sanctuary. The portrayal is animated with the thandava dance developments, signals and look as per the rules in natya sastra. Koothu is unmistakable for its comic component which adds to its sensational person. Subjects are ordinarily from the sagas. The ensemble is beautiful and odd with a weird headgear.

















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    Mohiniyattam

    Mohiniyattam - Arts of KeralaThis old style solo dance structure consolidates the agile tastefulness of bharatanatyam with the energy and dynamism of kathakali, to make a mind-set that is overwhelmingly sringara (sensual). The dance is generally performed on uncommonly set up stages regarding sanctuary celebrations. The ensemble is the conventional white mundu and melmundu of kerala. The hair is accumulated and set up along the edge of the head and embellished with jasmine, int the customary style.






    #arts-of-kerala  #kerala-mural-painting #classical-dance-of-kerala #kerala-painting #kathakali-kerala #artforms-of-kerala #folk-arts-of-kerala #simple-kerala-mural -painting #performing-arts-of-kerala #kerala-mural-painting-on-canvas-price #kerala-mural-painting-peacock #the-classical-dance-of-kerala #kerala-mural-painting-krishna #kerala-mural-painting-for-home

    Kalaripayattu

    Kalaripayattu is the exhaustive arrangement of hand to hand fighting of kerala, viewed as one of the most seasoned and generally logical on the planet. Kalaripayattu preparing focuses on a definitive co-appointment of psyche and body. The conventional preparing in a kalari remembers specialization for native clinical practices as well. Kalaris are likewise focuses of strict love.

    Kalaripayattu - Arts of Kerala




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    Kathakali

    Kadakali - Arts of Kerala
    This breathtaking traditional dance show of Kerala dependent on the rules laid by sage Bharatha's natya sastra, the old composition on dance and dramatization, is more than 500 years of age. This intricate work of art is normally acted in the nights and proceeds up to sunrise, and is a necessary piece of all sanctuary and social celebrations in Kerala. The outfits and cosmetics are decorative, intricate and intended to give a superhuman impact. The entertainers don't talk or sing however institute the story through mudras (hand signals), effortless developments and looks. The subjects of this dazzling craftsmanship are taken from india's rich and brilliant folklore. Music is a fundamental element of Kathakali, with two entertainers who sing to the backup of a chengila (gong), elathalam (little cymbals), chenda and maddalam. 

    Kathakalī is a significant type of traditional Indian dance. It's anything but a "story play" type of craftsmanship, yet one recognized by the intricately brilliant make-up, outfits and face veils that the customarily male entertainer artists wear. Kathakali is a Hindu exhibition workmanship in the Malayalam-talking southwestern locale of India (Kerala). The customary topics of the Kathakalī are society folklores, strict legends and profound thoughts from the Hindu stories and the Puranas. The vocal exhibition has customarily been acted in Sanskritised Malayalam. In present day pieces, Kathakalī is organized around plays called Attakatha (in a real sense, "instituted story", written in Sanskritized Malayalam. These plays are written in a specific configuration that recognizes the "activity" and the "exchange" portions of the presentation. The Shloka part is the metrical section, written in third individual – frequently totally in Sanskrit - depicting the activity part of the movement.
     



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    Ayyappan Theeyattu

    From old occasions, the god Sastha or Ayyappan has been revered in Kerala. It is accepted that it was Parasurama who brought Sastha and Bhadrakali for the insurance of the land and individuals. Henceforth the presence of various sanctuaries devoted to Sastha and Bhadrakali.
    Ayyappan Theeyattu - Arts of Kerala




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    Kalampattu Thottam Pattu

    Kalampattu Thottam Pattu - Arts of Kerala

    Kalampattu (kalamezhuthu pattu) is a people artistic expression that has a place with the northern areas of kerala. This artistic expression, which is more than 600 years of age is performed by a gathering of five to fifteen individuals in bhadrakali and ayyappa sanctuaries. The custom is performed around the kolam - an intricate picture, for the most part of bhadrakali, drawn on the floor, utilizing five tones. The exhibition in the light of sanctuary lights keeps going as the night progressed. The vocalists are flawlessly dressed with ladies wearing their hair on the head. A progression of tunes (kalampattu) are sung to the backup of nanthuni and elathalams.




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    Arjuna Nritham

    Arjuna Nritham - Arts of KeralaArjuna nritham (the dance of Arjuna) is a custom craftsmanship performed by men and is pervasive in the Bhagavathy sanctuaries of Kerala. Arjuna, the most brave of the five gallant siblings - the Pandavas - of the epic Mahabharatha, was likewise a prestigious vocalist and artist and is said to have appeased goddess Bhadrakaali by a devotional show.








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    Kummattikkali

    Kummattikkali - Arts of Kerala
    Kummattikkali is a cover dance famous in a portion of the northern areas of Kerala. The artists, wearing painted wooden veils and brandishing twigs of leaves and grass, go out from one house to another. A famous Kummatti character is Thalla or the witch; the others address different Hindu divine beings and goddesses. The tunes manage reverential subjects and are joined by a bow like instrument called Ona-villu. No proper preparing is needed to play out the Kummattikkali, and regularly the observers participate in the presentation.




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    KUTTIYATTAM

    Kuttiyattam - Arts of Kerala
    Kutiyattam in a real sense signifies "acting together" was advanced in the ninth century AD dependent on Bharatha's 'Natyasasthra'. This is the most punctual old style sensational artistic expression of Kerala. Kutiyattam is established inside the sanctuary theater; there are at least two characters in front of an audience simultaneously, with the Chakkiars giving the male cast and the Nangiars assuming the female parts. The Nangiars beat the cymbals and discuss sections in Sanskrit, while behind the scenes Nambiars play the Mizhavu, an enormous copper drum.





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